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Road trip to Mellen's Whitewater 'Street Scene' elicits appreciation of largesse while pondering its future
This past weekend, ChicagolandMusicalTheatre took a road trip to the University of Wisconsin campus in Whitewater, WI to catch a rare production of Street Scene, a high musical drama directed by Chicagoan Kymberly Mellen. A history-maker as the first-ever Tony winner for Best Score, the team behind it is beyond compare.
Chicago Opera Theater's enlightening 'Elizabeth Cree' is a title to remember for aficionados of the macabre
The most obvious model for Cree is SWEENEY TODD; it’s just as grimly glib, but somehow nihilistic where the latter was at most merely cynical. It’s a must for anyone who likes their opera unforgiving.
Porchlight's audiences believe the time has come for Sondheim's 'Merrily We Roll Along'
Merrily is solid enough, perhaps as solid as it’ll ever get; it’s up to the cast, the director, and even the audience to fill in the rest. And everyone and everything onstage at the Ruth Page Center shows precisely why Porchlight Music Theatre has made a reputation as premiere Sondheim interpreters.
Annoyance Theatre’s 'Shark Tank' circles greatness, but doesn’t take the bite
While Shark Tank is consistently humorous, only seldom does it make a statement in a way that feels cathartic in the current economic atmosphere.
Music Theater Works’ 'Peter Pan' provides fun-filled family fare
Here, the ethos is clear: don’t go for realism, go for what is most impressive for the audience to look at. The artistry is evident and sumptuous.
Talented cast is not enough to save Pearl Poet’s 'Sir Gawain and the Green Knight'
The entire piece is begging for a sense of fun and contemporary flavor in the dialogue to give the viewer some way to relate to the world that is being created for them.
This year, Mitchell J. Fain's endearing 'Santaland' oozes even greater affection
Not a story about elves talking to people, but people talking to people, gathered in close.
Music is first among the reasons for Lyric's current restaging of old favorite 'The Pearl Fishers'
So, what is it, then, that brought back The Pearl Fishers from sea and into our opera houses again?
Broadway in Chicago's pre-Broadway 'Margaritaville' provides pure escape, just like Jimmy's music
It’s very comforting for the uninitiated to walk into their first musical and hear familiar songs; to watch relatable characters wearing hockey jerseys, resembling real people, speaking casually as real people do every day - combined with a few razzle dazzle dance numbers and stunning set, lighting design and fun aerial stunts.
Chicago Opera Theater’s 'The Consul' is a marvelous and of-the-moment mournful musing
Mitisek and his creative team seem to channel the askew agitation of German expressionism to bring out the horror of the red tape prison.
Lyric Opera of Chicago brings human touch to mythic tale in Wagner's 'Die Walküre'
Dense as the plot may be, it is a testament to Wagner’s genius not only as a composer but also as a librettist, that at no point in Walküre’s four hour and forty-five minute runtime does the piece seem to lag. It is long because it must be.
Lyric Opera and Joffrey Ballet team to provide a heady affair with 'Orphée et Eurydice'
Even so, Orphée et Eurydice is still an evening heady with love, loss and promise. Promise not only of creating life, life, life out of despair, but of how this marriage of two institutions may make a happy whole.