It’s a well-crafted musical—and based on what’s on display, an unjustly overlooked one—and it can just as easily fit in one’s pocket as it can pack a punch and shake the rafters with sound and fury.

But really, for as much as the title promises gleeful defiance and destruction (and occasionally delivers), it’s really a song cycle of self-actualization. So when she really opens up at the end with the concluding thesis, “Almost There,” it lands...it really lands.